More Singing, Less Swinging - Is Singing Related to Improved Postural Control?

September 15, 2022 updated by: Adam Lewis, Brunel University

This study will investigate the extent to which singing affects balance and breathing.

Singing therapy has potential as an adjunct or component of falls prevention programmes and in the treatment of breathing hypervigilance. Reducing fall risk, and levels of hypervigilance and anxiety could have widespread benefits on participants participation and quality of life.

Investigators will aim to recruit both singers and non singers from older and younger adult age groups. Investigators will then be able to determine the balance response in untrained healthy young adults to understand the affects of singing training and aging on balance. The participants' balance will be measured via a force plate as they perform a series of speaking and singing tasks. Other outcomes will include breathing specific anxiety and attention to breathing, and balance specific anxiety and attention to balance.

Study Overview

Detailed Description

Singing has become a popular arts-in-therapy activity used by physiotherapists as part of their clinical treatment. For example, Singing for Lung Health (SLH) programmes are used in the management of long-term respiratory conditions. These programmes involve group-based singing activities with a focus on breathing control and posture. There are indications that SLH is effective at alleviating symptoms of respiratory disease, likely due to a combination of physical, psychological and social mechanisms.

One main factor that could directly impact on breathing are affective and attentional changes. Reduced anxiety and depression through singing therapy has been suggested to improve breathing control and functioning in those with chronic respiratory conditions. Qualitative surveys have reported that participants find singing to be an "uplifting" activity and that singing with a group of peers may also help to combat isolation.

These changes may be accompanied by changes in allocation of attention. I.e., it is thought that anxiety leads to heightened vigilant monitoring of breathing, and that this hypervigilance leads to a switch in control of breathing from automatic to consciously processed, resulting in breathing dysfunction and breathlessness. Notably, normalisation of such excessive anxiety related vigilance may underpin the improvements that patients report after singing therapy, in terms of control of breathing and breathlessness during exacerbations. Singing therapy may therefore improve breathing control through reducing anxiety as well as associated attention to breathing. One aim of this study is to test this idea further, and to determine if singing impacts on breathing vigilance.

An additional potentially very important effect of singing interventions is that people may improve their balance control as well, both directly and indirectly. Breathing and postural control are tightly linked. We continuously need to make postural adjustment in response to disturbances due to (changes in) breathing - and especially so when breathing is effortful and accelerated. Several studies of SLH in patients with COPD report participants perceive singing had a positive impact on their posture. Also, recent studies suggest that expert singers have better postural control compared to novices. Better control over breathing thus may also improve postural control.

Indirectly, and similar to breathing vigilance, singing interventions may also help normalise individual's attention toward posture and balance. Fear of falling is common in people with respiratory conditions such as COPD. Typically, such fear / anxiety will lead to a strong, potentially excessive, increase in attention to balance. As with breathing, this "hypervigilance" can itself lead to distorted perception of unsteadiness. Singing therapy may therefore improve balance control through reducing anxiety and associated attention to movement.

Therefore, this study will also explore the effects of singing on balance control and associated changes in balance-related hypervigilance.

To investigate these questions, investigators planned a scoping study in which they:

  • Aim to investigate the effects of singing on breathing control (e.g., breathing rate, breathing pattern assessment; see all outcomes below)
  • Immediate: Effects of singing (varying demands) vs no-singing condition
  • Long-term: differences between people with and without regular singing experience in terms of breathing control during no-singing vs singing conditions.
  • Aim to investigate the effects of singing on breathing-related anxiety & vigilance (state anxiety, breathing vigilance; self-reported)
  • Immediate effects (balance vs. balance + singing) & long-term effects (differences between groups with and without singing experience)
  • Aim to investigate the effects of singing on balance control (sway, sway frequency)
  • Immediate effects (balance vs. balance + singing) & long-term effects (differences between groups with and without singing experience)
  • Aim to investigate the effects of singing on balance-related anxiety and vigilance (state anxiety, balance hypervigilance, conscious processing of balance; all self-reported)
  • Again, immediate effects (balance vs. balance + singing) & long-term effects (differences between groups with and without singing experience)

Study Type

Interventional

Enrollment (Anticipated)

160

Phase

  • Not Applicable

Contacts and Locations

This section provides the contact details for those conducting the study, and information on where this study is being conducted.

Study Contact

Study Contact Backup

  • Name: Elmar Kal, PhD

Study Locations

      • Uxbridge, United Kingdom, UB8 3PH
        • Recruiting
        • Brunel University London Division of Physiotherapy
        • Contact:
        • Contact:
        • Sub-Investigator:
          • Keir EJ Philip, BSc
        • Sub-Investigator:
          • Grant Peterson, PhD

Participation Criteria

Researchers look for people who fit a certain description, called eligibility criteria. Some examples of these criteria are a person's general health condition or prior treatments.

Eligibility Criteria

Ages Eligible for Study

18 years and older (Adult, Older Adult)

Accepts Healthy Volunteers

Yes

Genders Eligible for Study

All

Description

Inclusion Criteria:

  • For young adults: 18 - 35 years of age
  • For older adults: 60 years of age or older
  • The "Older Adult" age group will be defined as adults aged 60 and older, based on the specifications of the World Health Organization (2017).
  • The "Younger Adult" age group will be defined as adults aged 18 to 35 inclusive. There will be a buffer range of ages 36 to 59. This is being done to get a clear delineation between age groups.

Exclusion Criteria:

For all:

  • Any respiratory, neurological, cardiac disease or deficit (and are on regular medication for it), and/or mobility issues.
  • Have tested positive for COVID-19 in the last 15 days (van Kampen et al., 2021)
  • Are diagnosed with Chronic COVID Syndrome
  • Conditions limiting the ability to stand for >1 minute independently (e.g., chronic fatigue, recent injury affecting balance)
  • Pregnancy (although this will not apply to older adults)
  • Conditions limiting participating in singing activities (aphasia, dysarthria, dysphonia, speech impairments)

Investigating young adults allows to better isolate the effects of singing, as these individuals will not suffer from co-morbidities that may confound, modify or attenuate the effects. Conversely, the older adult group is relevant to study from a clinical point of view.

Study Plan

This section provides details of the study plan, including how the study is designed and what the study is measuring.

How is the study designed?

Design Details

  • Primary Purpose: Other
  • Allocation: Non-Randomized
  • Interventional Model: Factorial Assignment
  • Masking: None (Open Label)

Arms and Interventions

Participant Group / Arm
Intervention / Treatment
Experimental: Young adult non singers

Balance Conditions: (~ 5 minutes in total)

  • Balance Condition 1 (Feet 20cm apart)
  • Balance Condition 2 (Feet together)
  • Balance Condition 3 (Tandem stance)

Initial measurements of balance conditions serve two purposes: it generates a postural control baseline for us without the attribution of singing conditions, furthermore it allows us to separately measure long-term singing experience's effect on postural control, by assessing tasks differing in difficulty level. Balance conditions will be randomised to prevent a learning effect.

Singing Conditions: (~ 15 minutes)

  • Warmup - including jaw and breathing exercises
  • Singing Condition 1 (Spoken Happy Birthday - Traditional Tempo)
  • Singing Condition 2 (Sung Happy Birthday - Traditional Tempo
  • Singing Condition 3 (Spoken Happy Birthday - Fast Tempo)
  • Singing Condition 4 (Sung Happy Birthday - Fast Tempo)
  • Singing Condition 5 (Spoken Happy Birthday - Slow Tempo)
  • Singing Condition 6 (Sung Happy Birthday - Slow Tempo)

Link to singing instructional video:

https://www.dropbox.com/s/tro58i6vx6i6w3a/Singing%20Balance%20Exercise%20Video.mp4?dl=0

Time stamps for the video:

  • Warmup (including jaw exercises and breathing exercises) - beginning at 2:55 until 6:06
  • Happy Birthday protocol - beginning at 15:26 until 20:21
Experimental: Young adult singers

Balance Conditions: (~ 5 minutes in total)

  • Balance Condition 1 (Feet 20cm apart)
  • Balance Condition 2 (Feet together)
  • Balance Condition 3 (Tandem stance)

Initial measurements of balance conditions serve two purposes: it generates a postural control baseline for us without the attribution of singing conditions, furthermore it allows us to separately measure long-term singing experience's effect on postural control, by assessing tasks differing in difficulty level. Balance conditions will be randomised to prevent a learning effect.

Singing Conditions: (~ 15 minutes)

  • Warmup - including jaw and breathing exercises
  • Singing Condition 1 (Spoken Happy Birthday - Traditional Tempo)
  • Singing Condition 2 (Sung Happy Birthday - Traditional Tempo
  • Singing Condition 3 (Spoken Happy Birthday - Fast Tempo)
  • Singing Condition 4 (Sung Happy Birthday - Fast Tempo)
  • Singing Condition 5 (Spoken Happy Birthday - Slow Tempo)
  • Singing Condition 6 (Sung Happy Birthday - Slow Tempo)

Link to singing instructional video:

https://www.dropbox.com/s/tro58i6vx6i6w3a/Singing%20Balance%20Exercise%20Video.mp4?dl=0

Time stamps for the video:

  • Warmup (including jaw exercises and breathing exercises) - beginning at 2:55 until 6:06
  • Happy Birthday protocol - beginning at 15:26 until 20:21
Experimental: Older adult non singers

Balance Conditions: (~ 5 minutes in total)

  • Balance Condition 1 (Feet 20cm apart)
  • Balance Condition 2 (Feet together)
  • Balance Condition 3 (Tandem stance)

Initial measurements of balance conditions serve two purposes: it generates a postural control baseline for us without the attribution of singing conditions, furthermore it allows us to separately measure long-term singing experience's effect on postural control, by assessing tasks differing in difficulty level. Balance conditions will be randomised to prevent a learning effect.

Singing Conditions: (~ 15 minutes)

  • Warmup - including jaw and breathing exercises
  • Singing Condition 1 (Spoken Happy Birthday - Traditional Tempo)
  • Singing Condition 2 (Sung Happy Birthday - Traditional Tempo
  • Singing Condition 3 (Spoken Happy Birthday - Fast Tempo)
  • Singing Condition 4 (Sung Happy Birthday - Fast Tempo)
  • Singing Condition 5 (Spoken Happy Birthday - Slow Tempo)
  • Singing Condition 6 (Sung Happy Birthday - Slow Tempo)

Link to singing instructional video:

https://www.dropbox.com/s/tro58i6vx6i6w3a/Singing%20Balance%20Exercise%20Video.mp4?dl=0

Time stamps for the video:

  • Warmup (including jaw exercises and breathing exercises) - beginning at 2:55 until 6:06
  • Happy Birthday protocol - beginning at 15:26 until 20:21
Experimental: Older adult singers

Balance Conditions: (~ 5 minutes in total)

  • Balance Condition 1 (Feet 20cm apart)
  • Balance Condition 2 (Feet together)
  • Balance Condition 3 (Tandem stance)

Initial measurements of balance conditions serve two purposes: it generates a postural control baseline for us without the attribution of singing conditions, furthermore it allows us to separately measure long-term singing experience's effect on postural control, by assessing tasks differing in difficulty level. Balance conditions will be randomised to prevent a learning effect.

Singing Conditions: (~ 15 minutes)

  • Warmup - including jaw and breathing exercises
  • Singing Condition 1 (Spoken Happy Birthday - Traditional Tempo)
  • Singing Condition 2 (Sung Happy Birthday - Traditional Tempo
  • Singing Condition 3 (Spoken Happy Birthday - Fast Tempo)
  • Singing Condition 4 (Sung Happy Birthday - Fast Tempo)
  • Singing Condition 5 (Spoken Happy Birthday - Slow Tempo)
  • Singing Condition 6 (Sung Happy Birthday - Slow Tempo)

Link to singing instructional video:

https://www.dropbox.com/s/tro58i6vx6i6w3a/Singing%20Balance%20Exercise%20Video.mp4?dl=0

Time stamps for the video:

  • Warmup (including jaw exercises and breathing exercises) - beginning at 2:55 until 6:06
  • Happy Birthday protocol - beginning at 15:26 until 20:21

What is the study measuring?

Primary Outcome Measures

Outcome Measure
Measure Description
Time Frame
Postural Sway Amplitude
Time Frame: 30 seconds during each balance condition 1
An AMTI force plate (Optima AccuSway), will be used to measure postural sway this will be operationalised as "root-mean-square" sway signal throughout the trail (sample rate: 100Hz). Sway will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 1
Postural Sway Amplitude
Time Frame: 30 seconds during each balance condition 2
An AMTI force plate (Optima AccuSway), will be used to measure postural sway this will be operationalised as "root-mean-square" sway signal throughout the trail (sample rate: 100Hz). Sway will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 2
Postural Sway Amplitude
Time Frame: 30 seconds during each balance condition 3
An AMTI force plate (Optima AccuSway), will be used to measure postural sway this will be operationalised as "root-mean-square" sway signal throughout the trail (sample rate: 100Hz). Sway will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 3
Postural Sway Amplitude
Time Frame: 30 seconds during each singing condition 1-6
An AMTI force plate (Optima AccuSway), will be used to measure postural sway this will be operationalised as "root-mean-square" sway signal throughout the trail (sample rate: 100Hz). Sway will be measured in both mediolateral and anterior-posterior directions
30 seconds during each singing condition 1-6

Secondary Outcome Measures

Outcome Measure
Measure Description
Time Frame
Sway frequency (in Hz)
Time Frame: 30 seconds during each balance condition 1
sway frequency will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 1
Sway frequency (in Hz)
Time Frame: 30 seconds during each balance condition 2
sway frequency will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 2
Sway frequency (in Hz)
Time Frame: 30 seconds during each balance condition 3
sway frequency will be measured in both mediolateral and anterior-posterior directions
30 seconds during each balance condition 3
Sway frequency (in Hz)
Time Frame: 30 seconds during each singing conditions 1-6
sway frequency will be measured in both mediolateral and anterior-posterior directions
30 seconds during each singing conditions 1-6
Balance-Vigilance Questionnaire
Time Frame: Immediately after balance condition 1
A balance vigilance questionnaire
Immediately after balance condition 1
Balance-Vigilance Questionnaire
Time Frame: Immediately after balance condition 2
A balance vigilance questionnaire
Immediately after balance condition 2
Breathe-Vigilance Questionnaire
Time Frame: Immediately after balance condition 3
A breathing vigilance questionnaire
Immediately after balance condition 3
Breathe-Vigilance Questionnaire
Time Frame: Immediately after each singing condition 1-6
A breathing vigilance questionnaire
Immediately after each singing condition 1-6
blood oxygen saturation (SpO2)
Time Frame: Immediately after balance condition 1
oxygen saturation
Immediately after balance condition 1
blood oxygen saturation (SpO2)
Time Frame: Immediately after each singing condition 1-6
oxygen saturation
Immediately after each singing condition 1-6
Heart rate
Time Frame: immediately after balance condition 1
heart rate
immediately after balance condition 1
Heart rate
Time Frame: Immediately after each singing condition 1-6
heart rate
Immediately after each singing condition 1-6
Respiratory rate
Time Frame: Baseline measurement prior to all conditions for all participants
breaths per minute
Baseline measurement prior to all conditions for all participants
Respiratory rate
Time Frame: Immediately after balance condition 1
breaths per minute
Immediately after balance condition 1
Respiratory rate
Time Frame: Immediately after each singing condition 1-6
breaths per minute
Immediately after each singing condition 1-6
Borg dyspnoea scale
Time Frame: Baseline assessment prior to all conditions for all participants
participant completed measure of dyspnoea
Baseline assessment prior to all conditions for all participants
Borg dyspnoea scale
Time Frame: Immediately after balance condition 1
participant completed measure of dyspnoea
Immediately after balance condition 1
Borg dyspnoea scale
Time Frame: Immediately after balance condition 2
participant completed measure of dyspnoea
Immediately after balance condition 2
Borg dyspnoea scale
Time Frame: Immediately after balance condition 3
participant completed measure of dyspnoea
Immediately after balance condition 3
Borg dyspnoea scale
Time Frame: Immediately after each singing condition 1- 6
participant completed measure of dyspnoea
Immediately after each singing condition 1- 6
Breathing Pattern Assessment Tool
Time Frame: Baseline measurement prior to conditions for all participants
Researcher recorded observation of breathing pattern
Baseline measurement prior to conditions for all participants
Mental Readiness Form
Time Frame: Immediately after balance condition 1
Measure of state anxiety
Immediately after balance condition 1
Mental Readiness Form
Time Frame: Immediately after balance condition 2
Measure of state anxiety
Immediately after balance condition 2
Mental Readiness Form
Time Frame: Immediately after balance condition 3
Measure of state anxiety
Immediately after balance condition 3
Mental Readiness Form
Time Frame: Immediately after each singing condition 1-6
Measure of state anxiety
Immediately after each singing condition 1-6
Timed Up and Go
Time Frame: Before any of the singing and balance conditions (baseline measurement (older adults))
Measure of physical performance
Before any of the singing and balance conditions (baseline measurement (older adults))
Fall Efficacy Scale International
Time Frame: Before any of the singing and balance conditions a baseline measurement
Patient reported outcome measure of risk of falls
Before any of the singing and balance conditions a baseline measurement
State Trait Anxiety Inventory - Y2
Time Frame: Baseline measurement prior to any condition for all participants
Patient reported outcome measure of anxiety
Baseline measurement prior to any condition for all participants

Collaborators and Investigators

This is where you will find people and organizations involved with this study.

Publications and helpful links

The person responsible for entering information about the study voluntarily provides these publications. These may be about anything related to the study.

General Publications

Study record dates

These dates track the progress of study record and summary results submissions to ClinicalTrials.gov. Study records and reported results are reviewed by the National Library of Medicine (NLM) to make sure they meet specific quality control standards before being posted on the public website.

Study Major Dates

Study Start (Actual)

February 25, 2022

Primary Completion (Anticipated)

April 10, 2023

Study Completion (Anticipated)

April 10, 2023

Study Registration Dates

First Submitted

March 30, 2022

First Submitted That Met QC Criteria

April 21, 2022

First Posted (Actual)

April 28, 2022

Study Record Updates

Last Update Posted (Actual)

September 19, 2022

Last Update Submitted That Met QC Criteria

September 15, 2022

Last Verified

September 1, 2022

More Information

Terms related to this study

Other Study ID Numbers

  • 35423

Plan for Individual participant data (IPD)

Plan to Share Individual Participant Data (IPD)?

NO

IPD Plan Description

Other researchers can request access to data on reasonable request via email to the study investigators.

Drug and device information, study documents

Studies a U.S. FDA-regulated drug product

No

Studies a U.S. FDA-regulated device product

No

This information was retrieved directly from the website clinicaltrials.gov without any changes. If you have any requests to change, remove or update your study details, please contact register@clinicaltrials.gov. As soon as a change is implemented on clinicaltrials.gov, this will be updated automatically on our website as well.

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